refocus

Been a few days since my last post — we went to my parents’ place for Christmas, and caught colds, and also my digestion is in some chaos due to switching diabetes meds. And I often write blog posts while at work rather than at home, where I can make music, read, play games or catch up on The Expanse (for instance).

(The Expanse is kind of fun for me for an additional reason. I turn captions on to catch all the Lang Belta, but I get fun bonuses like this:

(There’s also a lot of [pensive music], [tense music], the occasional [dark ambient music] and some [rhythmic electronic club music]. Fun!)



Other than the cold, Christmas was nice. It’s been a year since I got to see my family. Mom fed us very well, especially in the breakfast department where I’m used to just having cereal or yogurt, or a McDonald’s sausage biscuit at my desk at work. We tend to exchange a lot of gifts, and I wound up with a nice Luna ukulele, a variety of books, and various bits of electronic stuff including a hand crank generator that I want to experiment with wobbly CV input to the modular.

I still have another week off, and tonight we’ll be visiting the brand new St. Louis Aquarium which just opened on Christmas day. Hopefully we can fit the new Star Wars movie in sometime as well, if we’re feeling up to it.


In 3rd edition Dungeons & Dragons, one of the actions your character can take on your turn is to “refocus” — to wait a little bit for other characters or enemies to go first, and reset your turn’s timing. I feel like I have refocused in terms of my thinking on album 12. I woke up ridiculously early a couple of mornings ago and wound up listening to my recent “misfit” recordings in reverse order… and for the most part, it worked nicely. I found if I drop out most of the ones I was originally trying to match, I have 48 minutes of material with a pretty consistent feel to it. It’s generally more “calm” than “calmly foreboding,” and I think I will run with that. No idea yet for an album name, but it’ll come.


In writing up posts for forums, I’ve come up with gear priorities. While yes, I plan to keep my modular setup pretty stable this year now that it’s in a really great place, I do have some changes in mind:

  • Klavis Flexshaper. Not yet in stock anywhere, this is what Oberheim for some reason called a “Tracking Generator” in its synths — a sort of waveshaping lookup table, where you can map an input to a different output shape. Good for distortion, wavefolding, frequency doubling, rectification, inverting, and generally altering audio and control signals in many interesting ways. I have space for one right now, and I could see maybe having two eventually if I decide it replaces the tanh[3].
  • Hertz Donut mk2: I want to find a used one and compare it directly to the mk3. With both of them in my rack, I will be more easily able to choose a favorite, and sell the other later. My guess is I will choose to keep the mk2.
  • OBNE Dweller and Red Panda Particle pedals: I can’t decide which of these two would be better for the kind of textures I want, but both are on my list. Probably the order will be based on which one I see a good deal on first, and whim. But I don’t feel like I need either of them.
  • Digitech Freqout pedal: I’m mostly just curious about whether this’ll work for me; it’s fairly cheap and there will be little risk in trying it, but it’s not a high priority.
  • DSM03: it doesn’t really distinguish itself in my rack, despite some more interesting audio rate modulation than the Mimeophon. It’s probably going away when the E520 arrives, and I’m only keeping it in place for that sense of stability.

But my higher priority above all of those is working more with the Akemie’s Castle in particular — because I feel there’s a lot more in it than I’ve made use of so far, having been distracted by the Lyra and learning mastering and everything else. And also working more with the sound generating possibilities of Mimeophon, and exploring Via Scanner.

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