After Later Audio Tilt arrived Saturday, and I gave it my usual treatment, which doesn’t seem weird to me at all: try out the various features, put it on a scope and see how it responds to various things, etc.

On the plus side, the envelope shapes are excellent, with separate rise/fall curvature plus sustain, and easier to dial in than ADSRs on Stages. On the minus side, black knobs on black panel (I will for sure change the knobs) and wonky RISE and FALL gate outputs. I wrote to After Later about that, and I was the first to report it — it’s an issue with the stability of the slew core, and can’t be retrofitted in existing modules. But I can work with this using other modules, so it’s not a big deal.

Speaking of tilting, I’ve decided to sell the Maths, and ordered a used ADDAC Marble Physics. It models the two-dimensional motion of a ball inside of a tilting box, with control over the angle, simulation speed, elasticity, and bumping the box to get it moving. The outputs are the marble’s X and Y coordinates, velocity, and an edge detector. With this and some clever patching, one can create unusual (or not too unusual) envelopes and LFOs, slew and quasi-slew, and some other effects. If it runs at audio rate, maybe even a resonant filter! It should be both lots of fun and very useful. If not… I’ll just resell it, and get Loquelic Iteritas without further thought put into the matter. The little bit of remaining space not reserved for Xaoc Erfurt will be distributed among a few small blank panels. And that’s iteration 6.0 “The Leaning Badger”, done.