maybe it’s a sign

In the course of working on this album I have tried twice to record tracks named “Small Enough to Fail.” I have rejected both of them for not meeting my standards; they just didn’t have the right atmosphere or have enough to say. Maybe I should just not try naming anything else that, because it seems to be a self-fulfilling prophecy.

However, the second one has undergone a lot of filtering, editing, and processing and has become something worthy — a complete metamorphosis that gave it a new identity entirely.

At this point the album is more than an hour long. I’m happy with the start, I’m even happier with the end, and I like the stuff in between them… but the “it’s finished” flag in my brain hasn’t been raised yet. Once the missing piece falls into place, it’s possible that not all the candidates will make it to release. I’ll figure that out when I get there.

I’ve decided to go ahead and sell my Touché SE and my Tensor. The former is really neat for an Ondes Martenot sort of playing style that I just don’t use, so I only occasionally point it at some parameter or other in Bitwig — it’s overshadowed by the 16n and now there’s also the pressure CV on the 0-Ctrl. The Tensor is a neat thing but I don’t find myself turning to it very often and I can’t really justify keeping it.

I may also sell off the other pedals, except for Analog Drive which is basically one of the Reface’s limbs. I should first wait for the fixed filter bank, to see if it brings some magic to feedback loops that use the Adineko or spring reverb. But I kind of just want to set pedals aside; right now I don’t feel like they’re really bringing the magic, and that’d be one less format of thing to deal with, a few less controls to reach for.

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