Carefully Introducing Problems was released in early June. I recorded nothing new in June, and two tracks in mid-July. Things have broken loose though; in the last couple of weeks I’ve finished 6 tracks. Perhaps it’s the big refresh that my modular synth went through, or perhaps I’m just coming out of a funk.
I mean, it’s still the Corona year, America feels more like a failed state than ever, and I’m still tired and tense all the time, and I feel like everyone’s just trying to hang on and survive. I was thinking today about a former coworker who said (many years ago now) that she admired me because I was always trying to improve myself, and I kind of wonder when I stopped doing that. But still, I feel like making music.
Phonogene arrived Saturday. An old one, with the ugly knobs Make Noise originally used (but with the wrong colors) and a panel that looks as if it was dirtied and cleaned a few times in its life. But it’s got the firmware update from 2013 at least. I’ve got some replacement knobs on the way, and might pick up the Grayscale replacement panel if I feel it’s warranted in a couple of weeks or so.
Phonogene was discontinued in early 2018 and was succeeded by Morphagene — which has higher sound quality, more memory, stereo, multiple layers for true granular synthesis, SD card saving and loading, etc. But there are those who prefer the Phonogene’s charm and simplicity, and I believed I’d be among them. For smooth granular I’ve got Clouds; for blurry spectral time manipulation there’s the E520. Phonogene is more for raw 90s “clicks and cuts” style manipulation, combined with synchronization of other modules. As I’ve found, it suits my music quite well.
I don’t have much thought about what could go in the remaining space. (18HP, plus a possible 8 more from the MG-1 and a possible 4 more if I “hide” the ES-6 inside and access it through the PassThru.) I don’t need another oscillator, that’s for sure, nor more effects, and I think I’m fine on modulation sources. I figure, I should hold off to see if something else brilliant comes along, or my musical needs evolve. So I’m declaring this “version 4.0.”
- “0.0” (Exploration) was learning Eurorack and exploring.
- “1.0” (Suitability) was when I thought I had a fairly stable system I could live with, which would only mutate slowly. The focus was on complex oscillators, wavetables and resonators.
- “2.0” (Consolidation) replaced a lot of stuff with an ER-301 Sound Computer, and moved it all into a single case with a lot of empty space.
- “2.1” (Effects Dive) had me trying out a Rainmaker, Erbe-Verb, Doepfer BBD and more pedal effects.
- “3.0” (Focus) was realizing that Version 2 was kind of wrong for how I want to make music (even though I learned a lot), and reverting to what I liked best about 1.0.
- “3.1” (Integration) switched me from Maschine to Bitwig and the ES-3/ES-6.
- “3.14” (Harmony) saw me adding the Lyra-8 and think more about the performance aspect of my process.
- “3.2” (FM Overkill) was sort of a refinement phase, a further refocusing and embracing of what I liked. That began in late 2019.
- “4.0” (New Waves) includes selling off my effects pedals, adding the 0-Ctrl and Planar and the Pod 60 case, and switching from the beloved Hertz Donut and E352 to Shapeshifter and EnOsc.