if FM overkill is wrong, I don’t want to be right

In the last few weeks I’d been thinking seriously about selling off Akemie’s Castle, having convinced myself that I have more than enough FM capability and can use Sync3 among other things for the big chords. So I was trying to decide between the Odessa or the Ensemble Oscillator as a replacement, but honestly I wasn’t totally fired up about either of those choices. They can both do cool things but I’m not fully convinced either of them is truly what I want.

Last night I was feeling pretty bleh and unmotivated, but after making a pretty crappy recording I decided to mess with Akemie’s Castle… and it brought immediate joy. The chords are huge, the FM is glorious and not quite like all my other FM synths, and it sort of does the additive thing from a different angle. I have a bond with this module, and it would make no sense at all to swap it out for something else.

With that settled, I decided there’s really no point in waiting for the E520 to sell stuff: the DSM-03 Feedback, tanh[3] and Cold Mac have been sitting in a drawer and I’ve left HD mk3 unused, and I don’t think I will miss any of those. Also the Supercell, which I’ll replace with Typhoon (unless I happen into a great trade deal for Monsoon or Microcell).

What makes much more sense is to not buy anything else, including pedals, for a while. I don’t have any particular gaps I can think of. E520 of course is going to cover a lot of effect territory. I don’t see a good argument for another oscillator, and I feel pretty happy with my set of modulation sources. Bitwig Grid and Teletype cover most things that aren’t directly present. I’m sure eventually there will be something I will want to try out, so I’ll just leave the empty space for that future eventuality.


I’ve been reading Greg Egan’s Diaspora. It starts off in a wild and weird post-human future, and only gets wilder and weirder from there. My only gripe is that while the physics might have more dimensions than we can imagine, the characters mostly tend to have one or two. It seems like the more interesting a character becomes, the more likely they will be ignored, fall into the background, or be killed off in the background in the next chapter. I’m still enjoying the scale and uniqueness of the ideas though, and the rate at which they are introduced.

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.