that time again

It’s October 28, and definitely a good time to break out the scary music. I’ve never wanted to watch the movie a second time because it just wasn’t that amazing, but every year I break out the 30 Days of Night score. The composer invented several new instruments for it, some of which involve objects whirling dangerously at high speed…

For Halloween, I’ll be staying home, wearing a t-shirt with a skull-faced mermaid lounging by a pool, and keeping an eye on the end of the charity auction. Though the bid totals are quite good (over $22.5K so far), there are relatively few hardware offerings this year. I’m not interested in any of the sample or preset packs. There are a few software items I could go far — but in many cases they are bundled with a bunch of stuff I’m less interested in, so bidding competitively doesn’t make sense for me. Right now I am only trying to win one particular item, though I might throw a bit more money at something for the sake of the charity. And in the secondhand auction, there’s one minor plugin that I have a $5 bid on that’s on sale for $7 anyway.

Although… maybe on Halloween I may have to drive over to Lake Creve Coeur and walk around for a while, if it’s not too crowded. Hopefully the fall colors will be somewhere at peak, though it might be late for that. I’m probably too out of shape at this point to walk the full distance without overdoing it, but some semblance of “forest bathing” will probably do me some good. Unless it’s raining of course, in which case it would be a forest shower and not quite so pleasant.

With COVID cases hitting new records, we are following the advice to not risk travel this Thanksgiving. It’s a shame we will miss out, but it is not worth anyone getting life-threateningly ill.


I finished watching Neon Genesis Evangelion, and… I was not really prepared for how broken the ending is. I feel like the state of the series kind of reflected the apocalyptic¬†events in the story and peoples’ mental states, but it also apparently was a reflection of the writer’s depression and the exhaustion of the overworked production team and pressures that were hitting the studio in general. Things just sort of fell apart, and aside from some (disturbing) hints, we lost perspective on events other than Shinji’s inner voice in the process of merging with everyone else’s…

There was a movie that presented sort of an alternate viewpoint and alternate ending, called appropriately enough End of Evangelion. Where the original series ending was, in its odd way, “the good ending”, this is the bad one in terms of Shinji’s personality and which conspirators “win” the apocalypse. There is also a remake slowly in progress called Rebuild of Evangelion, which apparently makes the main character more macho and has a lot more fanservice. I’m going to eschew those, and consider the original series and all its flaws a complete work of art. (Granted, one that doesn’t quite stand up on its own without a little support from outside explanation.)


I’ve sent the DAFM synth back to Kasser in Spain for repairs. Given that it took a month to arrive here in the first place, I will not be surprised if it doesn’t get back to me in 2020.


The album is up to 57 minutes of material. I feel like I’m on a roll and have more to say here, but an album shouldn’t be overly long or it challenges the attention span and does the music a disservice. If my next set feels like a continuation, I could always call it a Part Two.

Listening to what I have, I think it needs something to close it right, and I’m considering dropping one of the songs. But I do expect to release it on Bandcamp Friday on November 6.

I did do another recording with three parts rather than one or two, although the third is just using the other output of Akemie’s Castle which was used as the first voice, and some different processing to make it a simpler, background part.

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