I guess I didn’t mention that I had found a discounted Red Panda Particle V2 that was used as a store demo. It arrived a couple of days ago and I put it through its paces.

I’ve heard Particle described as “standalone Clouds” but I don’t think it’s an entirely accurate comparison. Clouds strikes me as a genuinely granular processor, capturing overlapping sound snippets either as an effect or as a means to synthesize new sounds. While Clouds can be choppy and rhythmic if you choose short enough grain size and sparse grain triggering, it can also do smooth (or overdo it into blurry and drowning in its own reverb), or places in between that yield interesting textures. In its original firmware algorithm, Clouds can act as a delay but that doesn’t seem to be its forte or its primary design — although now I find I’m going to want to revisit it and see how well it can pretend to be a delay without using the alternate delay algorithm.

Particle strikes me more as a delay first, with a granular twist. You can get a fairly clean-sounding delay out of it that doesn’t have any granular modulation. From there, you can lower the grain density (by randomly dropping some grains) or reverse grains (with adjustable probability of being reversed) to chop it up a bit, repitch it, randomize the delay amount or pitch for each grain, or traverse the delay buffer with an LFO which sort of “bends” the playback in an indescribable and unintuitive but sometimes interesting way. It can also freeze the buffer, either while one of the switches is held down or when the level falls below a threshold that you set.

Not all of the features are available simultaneously from the pedal’s knobs. There are hidden settings accessible only via MIDI over USB; otherwise the Mode knob determines what the Param and Delay/Pitch knobs will do, and Chop and the Freeze threshold are combined onto one knob. I don’t much like that, to be honest, although I understand that’s all the original version of the pedal allowed. Thankfully working with it through MIDI lets you get at all of those parameters simultaneously, and I can modulate them via Bitwig — for instance, increasing the particle density along with the dynamics.

Right now, I am running Particle with mono input, with Tensor immediately afterward. Particle V2 supports stereo input and output (on TRS jacks, not typical for pedals), but right now I’ve just got the ADDAC 200PI Pedal integrator to get the modular (and computer) talking to pedals, with two mono inputs and outputs. So that I can use Particle in stereo, I’ve ordered a Strymon AA.1 pedal interface and the cables I need to hook it up. (For some reason the AA.1’s “return” input is TRS, but its “send” output is a left/right pair of TS jacks.) Honestly I’m not sure how stereo is implemented with Particle — if it simply does the exact same processing to both channels, or if randomized values affect the left and right sides differently. I’m hoping for the latter, though. Even if stereo turns out to be a little lackluster, the extra pedal interface module will be helpful if/when I decide to add a couple more goodies, like the Freqout or Dweller perhaps.

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