let’s go away, blues

(Yeah, I live in St. Louis, and hockey fever is rampant right now. Every time I see an “LGB!” sign I want to change it to “LGBT.” Otherwise I don’t care one way or the other and find it all kind of amusing. I just thought it was a clever-ish pun on the subject at hand:)

The Sad State of Happiness in the United States and the Role of Digital Media

This chart will probably surprise no one:

(I do notice a pretty big additional drop in happiness in 2016. I can think of something that happened in 2016 which affected the happiness of a lot of Americans, but that’s not what this is about.)

This one has some non-surprises and a few big jolts, though.

I (and probably most people) need to prioritize adequate sleep. (It’s supposed to be better for blood sugar, anxiety and other things as well.)

Watching TV news (and radio news) is positively correlated with happiness, even though TV overall is not? As is homework, a little? And people still go to video arcades?

Reading books isn’t on here at all. I wish that surprised me.

The generic “leisure time alone” counts as a phone activity?

But the big one here is that listening to music (marked as a “phone activity” because that’s how kids do it) has the strongest correlation with negative happiness. I’d probably be a lot sadder too, if I had to listen to much current pop music…

But seriously: there are notes about correlation vs. causation in the article. It’s possible that listening to music has the strongest reverse causation, being the thing that’s easiest to do when you’re depressed. The circumstantial evidence pointing toward social media and “screen time” leading to unhappiness really doesn’t seem to apply to music.

Is there anything I can or should do about this as a musician? Am I contributing in some small way, despite everything, to the unhappiness of the human race? Or am I making things a little better for those having a rough time? (To quote A Closed and Common Orbit, “…she taught Jane about something called music, which was a weird bunch of sounds that had no point but made things feel a little better.”)

Okay, it makes things better for me, at least when I keep the right frame of mind… and I am pretty sure that my music isn’t secretly being listened to by millions of 8th and 10th graders. I’ll keep going 🙂

filtration

My Filter 8 arrived yesterday. I’m pretty sure I made the right choice (instead of keeping QPAS or trading for Three Sisters). It’s as good for basic filter and VCO duties as I thought, is wicked cool as an LFO, and it turns out to be pretty great at waveshaping too. This morning I had 20 minutes to play with it before heading to work, and I had it turning a simple sine wave into an 80’s “brass” synth sound.

And then I happened to spot someone selling their DPO for a fair bit less than I’d seen elsewhere. Reader, I did not close the tab, sit on my hands and wait for Knobcon as previously planned. I bought the DPO and put a couple things up for sale that were previously “trade only.” The risk here is minimal; I know I love the sound of the DPO from other peoples’ recordings, and I know from previous module experience that the essentials of its design are exactly what I wanted. So Synth Farm 2.2 is now settled.


The current album project, now likely to be titled Internal Reflections, has 51 minutes of completed work. I could certainly stop now and move on to mastering, but I think one more song will do. I’ll get that in before the DPO arrives as a sort of chapter close.


The new headphones and mini Bluetooth receiver for the office are working out great. I don’t know why semi-open back headphones aren’t more popular — the sound and comfort are fantastic, there’s still enough isolation for anything that doesn’t require close mic recording or jet engine level noise cancellation, and they clearly don’t have to be expensive either. I’m currently using them to listen to the 4th Ambient Online Themed Compilation, Death and Rebirth, on which I have a couple of tracks. It’ll make for a chill day of listening.