And here we get to the actual Eurorack stuff. I have a MDLRCASE 114hp x 4 row studio case, plus a skiff row below that. I’ll start at the top left (ModularGrid screenshots here).
Row 1:

ALM Akemie’s Castle: 38 HP is big, and sometimes I think about what kinds of other stuff I could fit in that space. But it’s got so much charm! There are two specific kinds of FM synthesis nostalgia for me, and this covers one of them beautifully, like no emulation I’ve tried. I seriously would part with everything else on this row (if I had to) before letting go of this one.
Setonix 2hp vented panel: Only secondarily for ventilation. The Algo has a goofy TRS stereo output (not compatible with anything else in Eurorack). So I have a low-profile splitter cable plugged into it, running through a vent hole, to the back of my Mazzatron Mult & Passthru on row 3. Voila, proper separate L and R output jacks.
RYK Algo: this is like the clean, silky-smooth, modern version of the Castle, but with some algorithms not commonly found in other FM synths. I could theoretically replicate it in software modular, but I’m more inclined to use this beautiful thing as it is. It’s not without its weird design choices and UI quirks, but it’s gorgeous.
Industrial Music Electronics Zorlon Cannon mk2: not a module for everyday use. In terms of sound, Befaco Noise Plethora beats it, but I’m okay with only having that in VCV Rack. For CV or gate pattern sequences, Zorlon is not something I want to use all the time… but it’s still cool. It could hit the chopping block if I decide I really want to shake up my modular a lot.
Industrial Music Electronics Kermit mk2: I have never been able to adequately imitate the uniquely dusty sound that I love it for. It feels like it should be something really simple, but I haven’t stumbled on it yet. That sounds keeps it in my rack.
Mutable Instruments Rings: the first Eurorack module I acquired. It’s been a while since I have really exercised this one, but I doubt I have completely mined it for ideas yet either. I still mock people who think it makes one sound — guitars also only make one sound, right? 😉 Patching and technique matter. Also people tend to overlook its audio input, and that’s a crime.
Mutable Instruments Beads: I will never really understand why some people prefer Clouds over Beads. The way I use Beads is limited to a small subset of the things it can do, but it serves me well that way; there’s no imitator that quite gets there for me. A lot of people lately have been talking about Intellijel Multigrain like it unlocked the secrets of granular for them when they didn’t like any other granular modules, but to me Beads feels right, and MG’s design seems like it would bother me.
Setonix 3hp vented panel: more ventilation, and also making up for Zorlon being an odd width.
Row 2:

Mutable Instruments Marbles: I sometimes use this just as a clock/trigger generator, sometimes as a little melody loop machine, sometimes to feed in sequences to rearrange and create variations on them. Sometimes when this shows up in a recording, it’s because I used it as a lazy way to get a sequence going to test a patch idea but I liked the results I was getting enough to keep them.
Mutable Instruments Blades: my go-to filter; some people dislike it for being too clean but it’s got that drive/wavefolder RIGHT THERE and you can use its two filters in parallel or serial (or a combination!) to make things even more spicy. The thing that concerns me is the drive/wavefold knobs have a tendency to crackle a lot and this apparently a common issue.
Noise Engineering (Toros Iteritas) Alia: Alia is a cool platform overall, with a few oscillator models I might want to revisit again — Cursus and Manis in particular, or even Ataraxic if I feel the need to double up. But Toros’ unique take on FM, where each index knob crossfades between carrier and modulator, works great for me.
Noise Engineering Ataraxic Iteritas: of all the Noise Engineering oscillators, this is The One, which is why I have it in dedicated form rather than as an Alia. It’s sort of a weird, proudly digital, often kind of thin sound, not really suited as anyone’s primary or only oscillator. But it beefs up very nicely when distorted, serves well for special noises, effects, accents, etc. and makes nice fodder for a juicy lowpass gate. Sometimes it just has the exact right texture for a background drone.
Make Noise Spectraphon: I still haven’t really revisited array creation on it, and I just don’t feel the need to — SAM mode is fun and unique and Chaos mode sounds great; I don’t feel like I’m missing anything.
Xaoc Devices Odessa: it’s still gorgeous and unique, I’m still a big fan. (And I still wish there was a reliable way to completely remove the fundamental from the main outputs, but apparently that’s not even fixable in a firmware update.) I especially feel like some distortion can boost it to new heights, and that while it doesn’t actually need an external filter, it can make some good material to feed to QPAS or other filters, or Spectraphon for that matter.
Tune in next time for more condensed module thoughts… 🙂