
That’s one of my skinny patch cables from Modular Addict. I noticed as I was unpatching my latest recording that the insulation is separating from the jack at both ends. None of my other roughly 70 cables from them have this damage at either end, but now I’m going to keep an eye on things and prepare to consider replacements.
The thing is, these cables are considerably cheaper than most, and have been pretty reliable. I’ve known some more robust-looking, more expensive cables with strain reliefs to fail at a much higher rate. So if I lost enough of these I might just put in another order of the same kind.
Also broken, both in terms of the sound aesthetic (intentionally and beautifully) and literally (unfortunately), is my Mesmeriser pedal.

First, what’s good: the overall sound. It is a specialist in the sort of vibe I’ve begun thinking of as “blissfully overwhelmed.” There’s a masculine-feminine aesthetic spectrum from Sunn O))) to Lovesliescrushing, where one side is dark, ponderous and massive, and the other is bright, joyous, sunlight-dazed… but no less noisy and powerful. Or earth vs. air. Or think of Gothic architecture: on the one hand, a quarter-million tons of stone at an oppressive scale, covered in gargoyles; on the other, vaulted ceilings, flying buttresses, stained glass. (Perhaps mine is a bit like the Sagrada Familia, a weird ancient/modern/alien blend…) A little more literally, it’s a stack of budget early-90s effects being creatively pushed beyond their limits, turning a guitar (and often, screaming feedback) into a mighty otherworldly orchestra. The darker side will tend to emphasize the low end more, sub-bass meant to be played loud and felt in the chest, while the lighter side often rolls off both lows and highs to some extent, like an old telephone, and finds resonances in the gear.
Where was I? Oh yeah, Mesmeriser does the latter bit. Lo-fi, 90s-style reverb and modulation and saturation and sample rate reduction. None of this is new to me, but this is a finely, beautifully tuned combination of effects meant for a specific purpose. In fact it’s probably meant for the deeper end of shoegaze, the slowest, noisiest, droniest, least pop-like, most texture-oriented you can get while still being loosely affiliated with dream pop. And it’s a beautiful thing.
Being such a specialist, I definitely cannot recommend it as a general-purpose reverb, or even as an “ambient” reverb (with some cautious settings and some post-filtering, you can use it for that, but there are at least two dozen more suitable ambient reverb pedals out there; I will heartily recommend Slöer any day of the week). For instance, the fixed predelay time is way more than I would want in a general ambient reverb — but I am not arguing with how well it works in its proper context.
Setting aside the history/genre and considering just the sound, it fits 100% with the sort of Strega-into-wavefolder shenanigans I like to get up to. The Eternal switch = instant drone. And it’s an absolute texture monster, without technically being a granular effect.
Now for the unfortunate:
- Mine is… not stereo! The dry signal is passed through as it comes in, but the reverb, modulation etc. are exactly the same on the L and R channels. There’s supposed to be subtle differences in the reverb (and possibly the modulation) on the two sides, which contribute to the lushness and are really obvious when listening to Pedal Partner’s YouTube videos in headphones. Those aren’t happening.
- Mine also has crashed a few times — the dry signal continues to pass through but there’s no reverb, the Eternal (freeze) and Mesmerize (effect on/off) stop doing anything, and the only fix is to power it down and wait a couple minutes for its internal capacitors to discharge before powering back on. I’m hoping this is a problem with this specific unit, not something that happens with all of them.
Even in mono it’s still gorgeous, and I can put a little light Valhalla reverb or Audiority Tube Modulator or something after it to give it a more stereo vibe. But those demos are more lush yet. So I wrote to Maneco to ask about it, and it sounds like they’ll send me a replacement. This requires building me a fresh one, since the second wave sold out. And hopefully the shipping/tariff situation won’t be too ridiculous.
- This is on me, but the foam wedges I’m using as a temporary desktop pedalboard, combined with the cables I have, are just too awkward. A lot of the low-profile, right-angle guitar cables I have, have extra-wide heads and can’t fit next to each other either on the back of my audio interface, or on the pedals. Plus a bunch of right-angle cables start colliding with each other and lead to an omnidirectional spray of cables. So I’ve got a 3D-printed desktop pedal stand on the way, plus a few extension cables to tidy things up a bit, and another TRS to TS splitter so I can experiment with putting Dark Star on its own channel and then Slöer before or after Mesmeriser.
Something I observed when powering the Mesmeriser down, was interesting behavior as the power drained away. Probably what was going on there was, the DSP simply shut down but the analog saturator started to get funky at low voltage/current. I do have a variable-voltage “starving” power supply I might try with it.
With the Mesmeriser directly contributing to two tracks, I now have a total of 12, over 54 minutes. That probably means I’m done, but I’m going to take a good undistracted listen to the whole thing and make sure of track order/inclusion. I rejected a larger than usual number of recordings this time so I want to make sure what I’m keeping is worthy and the flow is coherent.
Mimetic Digitwolis has shipped (some lucky folks have theirs already), so I’m looking forward to that. Between it and Polyllop, there’s likely to be a bit more sequencing on the next album…