I have a title and some maybe-final artwork for the new album. It’s a secret for now though. Mastering is done, and was a little bit of a chore in places this time around but my efforts paid off, at least in a creative sense. I just have the notes page to write up and it’ll be ready to upload.
Before work on the next album gets seriously underway, there’s Knobcon, a few more gear changes and that new computer coming. I’ve figured out which plugins and sample collections I’ll want to install on the new machine, but that’s going to take a few days to set up. There are also newer Sound Forge versions to try. This will give me some time to ponder themes for a bit.
Make Noise’s imminent Mimeophon matches, almost line by line, a list I wrote back in February of the features of the delay module of my dreams. But it’s reinterpreted through in their own style, which is mostly a bonus. It was going to be a prime candidate to try out at Knobcon, but a couple of recent demo videos have convinced me it’s better than ideal. It’s so good as a resonating micro-delay I could even end up selling one of my Rings. Waiting for Knobcon is really just a formality with this one.
But what does require some deliberation and demoing is the question of the 4ms SMR vs. 4ms SWN vs. Mannequins Just Friends vs. just using Stages’ Ouroboros mode.
My SMR did indeed have something wrong with it, which excited the tech, but should be ready to ship back to me today or tomorrow. I want to give it a proper chance.
SWN (Spherical Wavetable Navigator) is a newer module that evolved from the SMR, but does exactly what I was looking for. Six oscillators with their own VCAs, which can be tuned relative to each other or independently, mixed to a stereo output. It uses a 3D wavetable setup that doesn’t beat SynthTech but does go well beyond the SMR’s sines. It’s more expensive than the other options, but well within my “sell more stuff than I buy” budget. It can’t be used to process audio as SMR can (if I decide I like that), but alongside the VCOs it also has a set of 6 LFOs that can be related or independent and can act as its own sort of algorithmic rhythm generator.
I also worked out how Just Friends, with the help of a Teletype script and the 16n Faderbank, can go without a separate VCA mixer. It’s a little bit of a hack, but smaller, cheaper, and will do FM. When not acting as a VCO it can do envelopes and LFOs, extending Teletype’s modulation capability without a tangle of patch cables.
Aside from that, I think I’ve probably settled on Mannequins Cold Mac as a crossfader/VCA/utility thing. But I want to look into the MSCL stereo compressor especially if I keep the SMR, and also potentially for Clouds and Mimeophon. Otherwise it takes Dynamo, 2/3 of Shades, both channels of Tallin and a lot of tweaking to compress/limit a stereo feedback path.