The horribly named Gearslutz is finally changing its name to Gearspace. Years of pressure from the community to be more inclusive and professional can actually work. I might actually take a look around there once it’s done.

Your move,

I’ve been listening to my albums today, reviewing my own starting from the very recent Luminous Phenomena and working backwards, in a combination of enjoyment and judgement. I’m not taking notes on technical issues or anything like that, but just the overall emotional impact and enjoyability (granted that’s in my current mental state, so these opinions are always subject to change).

So far I’m finding confirmation that I have a “sound” in a general sense, and should stick to it. I would rank my 5 most recent albums in this order:

  • Luminous Phenomena: an intense ride, with a good balance of continuity and contrast. I want to keep doing things in this vein.
  • Unfolding: really solid, some great textures and an emotional ambiguity and tension that I like. Not as intense as LP, but good.
  • Pieces: pretty strong, with some good melodic use of the Medusa. I didn’t enjoy “Energy Exchange” as much; it goes a bit outside my Goldilocks Zone.
  • Carefully Introducing Problems: there’s certainly some good work here, but some of it just isn’t grabbing me as much — a bit uneven.
  • The Sky Above the Port — this was a difficult album; I was trying to make music for specific scenes and settings, and not really doing what comes naturally to me. It feels like my weakest recent work. So I’m asking myself some questions about the process. Was the concept doomed, did I need to change the plan a bit, or just spend more time on it and be more discriminating? Or is there not really anything wrong with it and it just didn’t hit me in the right frame of mind today?

I’ll probably keep listening to my older work and contemplating until I get back to Nereus, but I feel that the most recent work is the most relevant.

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