neon/chrome

I really wish that in US elections, there were NO exit polls reported and NO news about counts that have not yet finished. But then, there are a lot of things that are broken about our electoral processes.

Anyway.

I may have just made a last-minute day change to track order, but the new album is ready to be released tomorrow (or possibly tonight). This is my fifth for the year, 16th as Starthief, and — this is kind of weird to realize — 32nd album overall. And I may already have the seeds of an idea for the next one.

I started reading Neuromancer last night, and within the first few pages, encountered a few phrases that would make good song titles. Many, of course, are already taken — it is now a classic piece of science fiction, a vision of a possible future from 36 years ago. The joke now of course is that we’re living in the wrong kind of cyberpunk dystopia.

A cyberpunk-themed album in my style might be interesting. It was done so frequently with EBM and industrial music that the music was even called “cyberpunk” for a while, and there was (is? I don’t know) a whole cybergoth club scene. Billy Idol had an album called Cyberpunk, which was pretty bad cyberpunk but pretty good rock. And of course, the themes are pretty big with synthwave/vaporwave.

I need to think about how I could approach this. No movie dialog samples. Anything involving drum machines would be a departure for Starthief, since “no drums” was one of the biggest revelations/self-imposed rules from my 2016-2017 experiments… but I am not necessarily ruling it out. I don’t particularly want it to sound like EBM, or synthwave. FM synthesis seems obvious though, since I already love it. In fact, if I wanted a fresh challenge I might someday try an album with no FM synthesis 😉

Speaking of FM: Kasser Synths wrote to say that the DAFM Synth I was returning for repairs still hadn’t arrived — not surprising, given that it took most of a month to get here from Spain in the first place — and they’re going ahead and sending me a replacement to help speed things along.

Dreadbox announced another couple of entries in its Chromatic line of small, cheap and colorful modules. The Antidote is a Karplus-Strong BBD delay, which I first thought might be a good replacement for the Doepfer BBD I had on my wishlist. But in demos so far I’m not convinced it would serve me better than Mimeophon.

On the other hand, the Euphoria — with the unfortunate choice of white labeling on a bright yellow panel, almost guaranteeing third party replacement panels to come soon — is a BBD-based 8-stage phaser that sounds gorgeous and weird. E520 and FX Aid both have phaser, flanger, frequency shifter etc. modes but I don’t think any of them can quite touch it. I’m impressed enough to replace the Doepfer on my wishlist with Euphoria.

And speaking of regrettable panels and colors, Thonk now has Tall Trimmer Toppers to add a little size and better grip and color to mini-pots… which would have been great for the AI008 when I was trying to color-code that. Ah well. My current system has 68 (!) of those tiny little knobs, but most of them aren’t a problem. A few, though, have no contrasting color for their pointers, which is annoying — so I will get some for that. That gives me an excuse to pick up a few other knobs that it wasn’t worth paying for shipping on.

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