As of Wednesday, I’ll have been working from home for four months. Later this week I have a performance review meeting, and it’s the first time they have asked for me to use a camera. My desktop doesn’t have one, but I’ve set up my tablet for it.
Work’s mostly been going smoothly, but music making less so. Ever since getting the 0-Ctrl I have found myself somehow following paths that just don’t bear fruit for me. There were more rejected songs than usual while working on the last album, and I haven’t done anything I particularly like since then. I think I might have finally figured out why — I’m starting the process with a sequence, instead of starting from sound as I usually do.
Some of my work has sequenced parts, but regardless of when those appear in the recording, that usually comes later in the process. My best work tends to happen as a result of exploring sound and finding something that wants to have a piece of music built around it. It seems that if I begin by patching the 0-Ctrl, I look for some kind of “interesting” sequence and try to build around that instead, and the result really doesn’t remain interesting.
So I’ll avoid doing that, and see if that gets me out of my rut. I might also consider reselling the 0-Ctrl and maybe the Lyra-8, in favor of assembling a controller skiff with an Intellijel Tetrapad. Maybe even replace my 16n with the Eurorack “Sweet 16” version for one integrated controller. Hmm.
These thoughts kind of went along with rereading Art & Fear last weekend, which talks a lot about the (highly personal and individualistic) process of artmaking, and how its importance to the artist is paramount but its relevance and transparency to the audience is almost none. This issue for me is definitely a process thing — start with sound and I’m good, start with notes and rhythms and I’m not. It’s a bit weird, but there it is. Just like my decision 3 years ago to
Alongside these thoughts about sequencing, I’ve also been pondering questions of quantization and generative/algorithmic composition. I could babble on about it here as I have elsewhere while getting my thoughts together, but I think it comes down to using my pals Marbles and Teletype in some fresh ways rather than needing anything new.
I think I could easily let go of my second Stages. One of them covers many handy roles within my modular and shows up in more patches than not, but the second isn’t really getting tapped very much. I don’t have a candidate in mind to replace it right now though, so I will wait a bit and see.
Last weekend I tried to cancel my order for the EMW Fixed Filter Bank, since its shipping has been delayed over a month due to coronavirus, and I ordered a Make Noise FxdF which I had thought was unavailable. It turns out, EMW just shipped it. So both of them are on the way, and I’ll compare them and keep the one I like most. This is also the last chance for my pedals; if they don’t do something special for me in a feedback loop with one of these fixed filterbanks, I’m selling them off.